Term Five

Primary Area: Rhetorics of Rap [Performance]

Alim, H. Samy. Roc the Mic Right: The Language of Hip Hop Culture. NewYork: Routledge, 2006.

Alim, H. Samy, Awad Ibrahim, and Alastair Pennycook (Eds.). Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language. New York: Routledge, 2009.

Akom, A.A. “Critical Hip Hop Pedagogy as a Form of Liberatory Praxis,” Equity & Excellence in Education, 42 (1) (2009): 52–66.

Badu, Erykah. “Love of My Life (An Ode to Hip Hop).” Brown Sugar Soundtrack. MCA Records, 2002.

Bradley, Adam. Book Of Rhymes: The Poetics of Hip Hop. Basic Civitas Books, 2009.

Bradley, Adam and DuBois, eds. The Anthology of Rap. Yale University Press, 2010.

Brown, Nicole and Chamara J. Kwakye (Eds.). Wish to Live: The Hip-hop Feminist Pedagogy Reader. New York: Peter Lang, 2012.

Butler, Paul. “Toward of Hip-Hop Theory of Punishment,” Stanford Law Review 56: 983 (2004): 984–1016.

——. Let’s Get Free: A Hip-Hop Theory of Justice. New York: The New Press, 2010.

Common (Lonnie Lynn). “I Used to Love H.E.R.” Resurrection. Interscope Records, 1994.

Dimitriadis, Greg. Performing Identity/Performing Culture: Hip Hop as Text, Pedagogy, and Lived Practice. New York: Peter Lang, 2001. Hip Hop Studies in Black 289

Faniel, Maco. Hip Hop in Houston: The Origin and the Legacy. Charleston, SC: The History Press, 2013.

Ferguson, Roderick. The Reorder of Things: The University and Its Pedagogies of Minority Difference. Minneapolis: University of Minnesota Press, 2012.

Forman, Murray. ““Hip-Hop Ya Don’t Stop”: Hip-Hop History and Historiography”. Murray Forman and Mark Anthony Neal, Eds. That’s The Joint: The Hip Hop Studies Reader. 2^nd Edition. New York: Routledge, 2012. Pp. 9-12.

——“General Introduction”. Murray Forman and Mark Anthony Neal, Eds. That’s The Joint: The Hip Hop Studies Reader. 2^nd Edition. New York: Routledge, 2012. Pp. 1-8.

Fernandes, Sujatha. Close to the Edge: In Search of the Global HipHop Generation. New York: Verso Press, 2011.

Fletcher, Jim et al., (Eds.). Still Black, Still Strong: Survivors of the War Against Black Revolutionaries. New York: Semiotext(e), 1993.

Gilmore, Ruth Wilson. Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California. Berkeley: University of California Press, 2007.

Hager, Steven. Hip Hop: The Illustrated History of Break Dancing, Rap Music, and Graffiti. New York: St. Martin’s Press, 1984.

Hall, Perry. “Hip Hop and the Black Studies Canon.” International Journal of Africana Studies, 16:1 (Spring/Summer 2010): 13–41.

Harney, Stefano and Fred Moten. The Undercommons: Fugitive Planning & Black Study. New York: Autonomedia, 2013.

Hartman, Saidiya V. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. New York: Oxford University Press, 1997.

Hill, Marc Lamont. Beats, Rhymes, and Classroom Life: Hip-Hop Pedagogy and the Politics of Identity. New York: Teachers College, 2009.

Hill, Marc Lamont, Emery Petchauer, and Jeff Chang (Eds.). Schooling Hip-Hop: Expanding Hip-Hop Based Education Across the Curriculum. New York: Teachers College Press, 2013.

Iton, Richard. In Search of the Black Fantastic: Politics and Popular Culture in the Post-Civil Rights Era. New York: Oxford University Press, 2008.

Jay-Z. Jay-Z Decoded. New York: Virgin Books, 2010.

Jefferies, Michael. Thug Life: Race, Gender, and theMeaning of Hip-Hop.Chicago: University of Chicago Press, 2011.

Johnson,Walter. Soul by Soul: Life Inside the Antebellum Slave Market. Cambridge, MA: Harvard University Press, 1999.

Jones, LeRoi [Amiri Baraka]. Blues People: Negro Music in White America. New York: Harper, 1999 [1963].

Kahf, Usama. “Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre.” Journal of Popular Music Studies, 19:4 (2007): 359–85.

KRS-One. “KRS-One: We Should Protest Universities Commodifying Hip Hop” https://www.youtube.com/watch?v=QU3RyWIJAPg. Posted January 23, 2015. Accessed. February 22, 2015.

Love, Bettina. Hip Hop’s Lil Sistas Speak: Negotiating Hip Hop Identities and Politics in the New South. New York: Peter Lang, 2012.

Marriott, David. Haunted Life: Visual Culture and Black Modernity. New Brunswick: Rutgers University Press, 2007.

McCarren, Felicia. French Moves: The Cultural Politics of le hip hop. New York: Oxford University Press, 2013.

McWhorter, John H. “How Hip-Hop Holds Blacks Back.” City Journal (2003). Available at http://www.city-journal.org/html/13_3_how_hip_hop.html. Accessed on April 6, 2015.

Miller, Monica R. Religion and Hip Hop. New York: Routledge, 2012.

Mills, Charles. The Racial Contract. Ithaca: Cornell University Press, 1999.

Mitchell, Tony (Ed.). Global Noise: Rap and Hip-Hop Outside the USA. Middletown, CT: Wesleyan University Press, 2001.

Monteyne, Kimberly. Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s. Jackson: University Press of Mississippi, 2013.

Moten, Fred. “The Case of Blackness.” Criticism 50:2 (Spring 2008): 177–218.

——. In The Break: The Aesthetics of the Black Radical Tradition. Minnesota University Press, 2003.

Miyakawa, Felicia. Five Percenter Rap: God Hop’s Music, Message and Black Muslin Mission. Bloomington: Indiana University Press, 2005.

Nancy, Jean-Luc. Listening. Trans. Charlotte Mandell. Fordham University Press, 2007.

Neal, Mark Anthony. ““I Used to Love H.E.R.”: Hip-Hop in/and the Culture Industries”. Murray Forman and Mark Anthony Neal, Eds. That’s The Joint: The Hip Hop Studies Reader. 2^nd Edition. New York: Routledge, 2012. Pp. 631-633.

Ntarangwi, Mwenda. East African Hip Hop: Youth Culture and Globalization. Urbana-Champaign, University of Illinois Press, 2009.

Ogbar, Jeffrey. Hip Hop Revolution: The Culture and Politics of Rap. Lawrence: University Press of Kansas, 2007.

——. Hip-Hop Revolution: The Culture and Politics of Rap. Lawrence: University Press of Kansas, 2009.

Osumare, Halifu. The Africanist Aesthetic in Global Hip-Hop: Power Moves. New York: Palgrave-Macmillan, 2008.

Parker, Derrick. The Notorious C.O.P.: The Inside Story of Tupac, Biggie, and Jam Master Jay Investigations from the NYPD’s First “HipHop Cop”. NewYork: St. Martin’s Griffin, 2007. Hip Hop Studies in Black 291

Petchauer, Emery. Hip-Hop Culture in College Students’ Lives: Elements, Embodiment and Higher Education. New York: Routledge, 2011.

Perry, Imani. Prophets of the Hood: Politic and Poetics in Hip Hop. Durham, NC: Duke University Press, 2004.

Petchauer, Emery. “Framing and Reviewing Hip-Hop Educational Research.”Review of Educational Research. June 2009, Vol. 79, No. 2, pp. 946–978.

Philip, M. Nourbese. A Genealogy of Resistance and Other Essays. Toronto: Mercury Press, 1997.

Pinn, Anthony B. (Ed.). Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music. New York: New York University Press, 2003.

Potter, Russell. Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. Albany: State University of New York Press, 1995.

Pough, Gwendolyn. Check It While I Wreck It: Black Womanhood, Hip-Hop Culture and the Black Public Sphere. Boston: Northeastern University Press, 2004.

Rabaka, Reiland. Hip Hop’s Inheritance: From the Harlem renaissance to the Hip Hop Feminist Movement. Lanham, MD: Lexington Books, 2011.

——. Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement. Lanham, MD: Lexington Books, 2012.

——. The Hip Hop Movement: From R & B and the Civil Rights Movement to rap and the Hip Hop Generation. Lanham, MD: Lexington Books, 2013.

Reed, Adolph. Class Notes: Posing as Politics and Other Thoughts on the American Scene. New York: New Press, 2001.

Roberts, Dorothy. Killing the Black Body: Race, Reproduction, and the Meaning of Liberty. New York: Vintage, 1998.

Robinson, Cedric. Black Marxism: The Making of the Black Radical Tradition. Chapel Hill: University of North Carolina Press, [1983] 2000.

Rooks, Noliwe. White Money/Black Power: The Surprising History of African American Studies and the Crisis of Race in Higher Education. Boston: Beacon Press, 2007.

Roots, The. “Act Too (The Love of My Life).” Things Fall Apart. MCA Records, 1999.

Saucier, P. Khalil (Ed.). Native Tongues: An African Hip-Hop Reader. Trenton, NJ: Africa World Press, 2011.

Saucier, P. Khalil and K. Silva. “Keeping It Real in the Global South.” Critical Sociology 40:2 (March 2014): 295–300.

Sexton, Jared. Amalgamation Schemes: Antiblackness and the Critique of Multiracialism. Minneapolis: University of Minnesota Press, 2008.

Sharma, Nitasha T. Hip Hop Desis: South Asian Americans, Blackness, and a Global Race Consciousness. Durham: Duke University Press, 2010.

Sharpley-Whiting, T. Denean. Pimps Up, Ho’s Down: Hip Hop’s Hold on Young Black Women. New York: New York University Press, 2007.

Sirc, Geoffrey. English Composition as a Happening. Logan [UT]: Utah State University Press, 2002.

Spady, James and J. Eure. Nation Conscious Rap: The Hip Hop Vision. New York and Philadelphia: PC International Press, 1991.

Spady, James, G. C. Lee, and S. Dupres. Twisted Tales: In The Hip Hop Streets of Philly. Philadelphia: Black History Museum Umum/Loh Publishers, 1995.

Spady, James, H. S. Alim, and C.G. Lee. Street Conscious Rap. Philadelphia: Black History Museum Umum/Loh Publishers, 1999.

Spence, Lester. Stare in the Darkness: The Limits of Hip Hop and Black Politics. Minneapolis: University of Minnesota Press, 2011.

Terrefe, Selamawit D. “Phantasmagoria; or, the World is a Haunted Plantation,” The Feminist Wire, October 10, 2012. Available at http://thefeministwire.com/2012/10/phantasmagoria/. Accessed on August 3, 2013.

Thomas, Greg. “Fire and Damnation: Hip-Hop (‘Youth Culture’) and 1956 in Focus,” Presence Africaine: Revue Culturelle du Monde Noir 175–176–177 (2008): 300–12.

——. “Mi Say War: Hip-Hop vs. The Bourgeois West… and ‘Hip-Hop Studies’? (A Review Essay).” Vox Union (June 2010). Available at http://www.voxunion.com/?p=2736. Accessed on August 4, 2013.

Toop, David. The Rap Attack: African Jive to New York Hip Hop. Boston: South End Press, 1984.

Ture, Kwame and Charles Hamilton. Black Power: The Politics of Liberation. New York: Vintage, 1992.

Ulmer, Gregory L. “The Object of Post-Criticism.” The Anti-Aesthetic: Essays on Postmodern Culture, Hal Foster, ed. New York: The New Press, 1985. pp. 83-109.

Vargas, João H. Costa. Never Meant to Survive: Genocide and Utopias in Black Diaspora Communities. Lanham, MD: Rowman & Littlefield, 2010.

Vargas, João H. Costa and Joy James. “Refusing Blackness-as-Victimization: Trayvon Martin and the Black Cyborgs.” Pursuing Trayvon Martin: Historical Contexts and Contemporary Manifestations of Racial Dynamics. Hip Hop Studies in Black 293 Eds. George Yancy and Janine Jones. Lanham: Lexington Books, 2012. 193–204.

Vitanza, Victor J. Negation, Subjectivity, and the History of Rhetoric. Albany: State University of New York Press, 1997.

Wacquant, Loic. “Deadly Symbiosis: When Ghetto and Prison Meet and Mesh,” Punishment & Society 3:1 (2001): 95–133.

Wagner, Bryan. Disturbing the Peace: Black Culture and the Police Power After Slavery. Cambridge, MA: Harvard University Press, 2009.

Wallace, Michele. Black Macho and the Myth of the Superwoman. Verso Books, 1990.

——. Invisibility Blues: From Pop to Theory. New York: Verso Press, 2008.

Wang, Oliver. “Rapping and Repping Asian: Race, Authenticity, and the Asian American MC.” Asian Encounters: Popular Culture in Asian America. Eds. Mimi Thi Nguyen and Thuy Linh Nguyen Tu. Durham: Duke University Press, 2007. 35–68.

Watkins, S. Craig. Representing: Hip-Hop Culture and the Production of Black Cinema. Chicago: University of Chicago Press, 1999.

——. Hip-Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement. Boston: Beacon Press, 2006.

Weheliye, Alexander. Phonographies: Grooves in Sonic Afro-Modernity. Duke University Press, 2005.

Weiss, Brad. Street Dreams and Hip Hop Barbershops: Global Fantasy in Urban Tanzania. Bloomington: Indiana University Press, 2009.

White, Miles. From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity. Urbana-Champaign: University of Illinois Press, 2011.

Wilderson III, Frank B. “Gramsci’s Black Marx: Whither the Slave in Civil Society.” Social Identities 9:2 (2003): 225–39.

——. “Grammar and Ghosts: The Performative Limits of African Freedom,” Theatre Survey 50:1 (2009): 119–25.

——.Red, White & Black: Cinema and the Structure ofU.S. Antagonisms.Durham: Duke University Press, 2010.

Williams, Juan. “Banish the Bling: A Culture of Failure Taints Black America,” Washington Post, August 21, 2006. Available at http://www.washingtonpost.com/wpdyn/content/article/2006/08/20/AR2006082000527.html. Accessed on October 1, 2013.

Wynter, Sylvia. “A Different Kind of Creature’: Caribbean Literature, the Cyclops Factor, and the Second Poetics of the Propter Nos.” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy Reiss. Trenton, NJ: African World Press, 2002.

Secondary Area: Hip-Hop Studies

Alexander, Michelle. The New Jim Crow: Mass Incarceration in the Age of Colorblindness. New York: The New Press, 2012.

Allan, E.J. “Women’s status in higher education: equity matters.” ASHE Higher Education Report 37.1, Wiley, San Francisco, 2011.

Anderson, Elijah. Streetwise: Race, Class, and Change in an Urban Community. Chicago: University of Chicago Press, 1990.

Asante, Molefi K. It’s Bigger Than Hip-Hop: The Rise of the Post-Hip-Hop Generation. New York: St. Martin’s Press, 2009.

Baraka, Amiri (Leroi Jones), “The Changing Same (R&B and New Black Music),” The Leroi Jones/Amiri Baraka Reader. E., William J. Harris. New York: Thunder’s Mouth, 1991.

Baraka, Amiri. Blues People: Negro Music in White America. New York: Perennial, [1963] 2002.

Beer, D. “Hip-hop as urban and regional research: encountering an insider’s ethnography of city life.” International Journal of Urban and Regional Research 38.2, 677–85, 2014.

Best, Stephen and Saidiya Hartman, “Fugitive Justice: The Appeal of the Slave.” Representations 92: 1 (Fall 2005): 1–15. 288 P. Khalil Saucier and Tryon P. Woods

Bogazianos, Dimitri. 5 Grams: Crack Cocaine, Rap Music, and the War on Drugs. New York: New York University Press, 2012.

Bonilla-Silva, Eduardo. Racism without Racists: Color-Blind Racism and the Persistence of Racial Inequality in America. Lanham, MD: Rowman & Littlefield, 2009.

Brown, Cecil. Dude, Where’s My Black Studies Department: The Disappearance of Black Americans From Our Universities. Berkeley, CA: North Atlantic Books, 2007.

Carson, A.D. COLD. Mahomet [IL]: Mayhaven Publishing, Inc., 2011.

——“Oedipus-Not-So-Complex: A Blueprint for Literary Education.” In Julius Bailey, Ed. Jay-Z: Essays on Hip Hop’s Philosopher King. Jefferson [NC]: McFarland & Company, Inc., 2011.

——“Trimalchio From Chicago: Flashing Lights and The Great Kanye in West Egg.” In Julius Bailey, Ed. The Cultural Impact of Kanye West. New York: Palgrave Macmillan, 2014.

Chang, Jeff. Can’t Stop, Won’t Stop: A History of the Hip-Hop Generation. New York: St. Martin’s Press, 2005.

Charry, Eric (Ed.). Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press, 2012.

Clay, Andreana. The Hip-Hop Generation Fights Back: Youth, Actvism and Post-Civil Rights Politics. New York: New York University Press, 2012.

Cohen, Cathy. Remixing Democracy. New York: Oxford University Press, 2010.

Condry, Ian. Hip-Hop Japan: Rap and the Paths of Cultural Globalization. Durham: Duke University Press, 2006.

Clifford, J. and G.E. Marcus (eds.) Writing culture: the poetics and politics of ethnography. University of California Press, Berkeley and Los Angeles, 1986.

Danaher, W.F. “Music and social movements.” Sociology Compass 4.9, 811–23, 2010.

Eyerman, R. and A. Jamison. Music and social movements: mobilizing traditions in the twentieth century. Cambridge University Press, Cambridge, 1998.

Ferguson, Roderick. The Reorder of Things: The University and Its Pedagogies of Minority Difference. Minneapolis: University of Minnesota Press, 2012.

Forman, Murray. ““Hip-Hop Ya Don’t Stop”: Hip-Hop History and Historiography”. Murray Forman and Mark Anthony Neal, Eds. That’s The Joint: The Hip Hop Studies Reader. 2^nd Edition. New York: Routledge, 2012. Pp. 9-12.

——“General Introduction”. Murray Forman and Mark Anthony Neal, Eds. That’s The

Joint: The Hip Hop Studies Reader. 2^nd Edition. New York: Routledge, 2012. Pp.

1-8.

Forman, M. The ‘Hood’ Comes First:Rrace, Space and Place in Rap and Hiphop. Wesleyan University Press, 2002.

Kelley, Robin D.G. Yo’ Mama’s Disfunktional!: Fighting the Culture Wars in Urban America. Beacon Press, Boston, MA, 1997.

KRS-One. “KRS-One: We Should Protest Universities Commodifying Hip Hop”   https://www.youtube.com/watch?v=QU3RyWIJAPg. Posted January 23, 2015. Accessed February 22, 2015.

Petchauer, Emery.“Framing and Reviewing Hip-Hop Educational Research.”Review of Educational Research. June 2009, Vol. 79, No. 2, pp. 946–978.

Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown [CT]: Wesleyan University Press, 1994.

——The Hip Hop Wars: What We Talk about When We Talk about Hip Hop—And Why It Matters. New York: BasicCivitas Books, 2008.

Saucier, P. Khalil and Tyron Woods. “Hip Hop Studies in Black.” Journal of Popular

Music Studies, Volume 26, Issue 2-3, Pp. 268-294.

West, Cornell. Race Matters. Vintage, New York. Debates and Developments 699 International Journal, 1994.

Woods, Tryon. “Hip Hop and the Post-Racial Legal Un-Conscious.” Journal of Race, Gender and Poverty, Southern University Law Center, Symposium Edition (Spring 2010).

——. “‘Beat It Like a Cop’: The Erotic Cultural Politics of Punishment in the Era of Postracialism.” Social Text 31: 1 (Spring 2013): 21–41. 294 P. Khalil Saucier and Tryon P. Woods.

Wynter, Sylvia. “Sambos and Minstrels,” Social Text 1 (Winter 1979): 149–56.

——.“A Different Kind of Creature: Caribbean Literature, the Cyclops Factor, and the Second Poetics of the Propter Nos.” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy Reiss. Trenton, NJ: African World Press, 2002.

Young, Kevin. The Grey Album: On the Blackness of Blackness. Minneapolis: GrayWolf Press, 2012.

Secondary Area: African American Literature

Baldwin, James. The Fire Next Time. 1962. New York: Vintage International, 1990.

Coates, Ta-Nehisi. Between The World and Me. New York: Speigel & Grau, 2015.

Cruse, Harold. The Crisis of the Negro Intellectual. 1967. New York Review Books, 2005.

Douglass, Frederick. “Narrative of the Life of Frederick Douglass, An American Slave.” The Classic Slave Narratives. Ed. Henry Louis Gates, Jr. New York: Mentor Books, 1987.

DuBois, The Souls of Black Folk [from DuBois: Writings]. 1903. The Library of America

[Ninth Printing], 1986.

Ellison, Ralph. Invisible Man. New York: Vintage Books, 1992.

Hughes, Langston. “The Negro Artist and the Racial Mountain.” The Nation. 23 June

1926.

Fanon, Frantz. Black Skin, White Masks. New York: Grove Press, 1967.

Morrison, Toni. Playing in the Dark. Whiteness and the Literary Imagination. New York: Vintage, 1993.

Morrison, Toni. Song of Solomon. 1977. New York: Vintage, 2004.

Rankine, Claudia. Citizen: An American Lyric. Graywolf Press, 2014.

Saucier, P. Khalil and Tyron Woods. “Hip Hop Studies in Black.” Journal of Popular Music Studies, Volume 26, Issue 2-3, Pp. 268-294.

Spillers, Hortense J. “The Crisis of the Negro Intellectual: A Post-Date.” boundary 2, Vol. 21, No. 3 [Autumn, 1994], pp. 65-116. Duke University Press.

Wynter, Sylvia. “A Different Kind of Creature’: Caribbean Literature, the Cyclops Factor, and the Second Poetics of the Propter Nos.” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy Reiss. Trenton, NJ: African World Press, 2002.

Films

12 Years A Slave. Dir. Steve McQueen. Fox Searchlight Pictures, 2013.

Bastards of the Party. Dir. Cle Sloan. HBO, 2005.

Black and Blue: Legends of the Hip Hop Cop. Dir. Peter Spirer. Image Entertainment, 2006. DVD.

Dear White People. Dir. Justin Simien. Lionsgate, 2014.

Django Unchained. Dir. Quentin Tarantino. Columbia Pictures, 2012.

Fruitvale Station. Dir. Ryan Coogler. The Weinstein Company, 2013.

James Baldwin: The Price of the Ticket. Dir. Karen Thorsen. PBS, 1989.

Jazz: A Film by Ken Burns. Dir. Ken Burns, PBS, 2001.

Juice. Dir. Ernest R. Dickerson. Paramount Pictures, 1992.

Malcolm X. Dir. Spike Lee. Warner Brothers, 1992.

Menace II Society. Dir. The Hughes Brothers. New Line Cinema, 1993.

Rap Sheet: Hip-Hop and the Cops. Dir. Don Sikorski. Screen Media, 2007. DVD.

The Black Panthers: Vanguards of the Revolution. Dir. Stanley Nelson, Jr. PBS, 2015.

The Mack. Dir. Michael Campus. Warner Brothers, 1973.

Thelonious Monk: Straight, No Chaser. Dir. Charlotte Zwerin. Warner Bro., 1988. DVD.

Tupac Shakur: Thug Angel (The Life of an Outlaw). Dir. Peter Spirer. Image Entertainment, 2002. DVD.